Autumn in Mustangs of Many Colors

Sadie Pfister @sadienp24, Model // Makeup @beautybysofiamarie // Photo: Wendy Hurst // Production @hello_wayfinder

You can tease me, I don't mind--but I'm being honest when I say that beyond the 1967 and 2019 models I previously posted about, when photographing 10 cars at at a time I reduce Ford Mustangs to colors. I'll leave the year/model name knowledge to you professionals. (wink)

Lighting the Scene

Whenever possible I placed the sun and fired a single speed light in a 43-inch umbrella softbox at camera left to fill in the shadows. That allowed me to expose more accurately for the background and not blow out the highlights. Except those few times when I didn't think about the highlights and blew them out anyway. The freedom to fail, even if it's a minor failure, is the reason I do shoots like this anyway.

Kade Llewelyn @kades_aesthetic, Model // Hair: @everydayglamourhood
Photo: Wendy Hurst // Production @hello_wayfinder

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Child Liberation Foundation Launch Party 2017

Some portrait highlights of the generous donors and contributors to the newly launched Child Liberation Foundation , hosted at Sky SLC over the weekend. Though attendees were supporting a serious issue, a healthy sense of humor was still present. Come join the conversation on Instagram or Facebook ! Paul Hutchinson (right) is the co-founder of the Child Liberation Foundation

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I am no bird | salt lake city utah conceptual portrait photographer

Model: Jesyka Dereta Makeup & Styling: Jesyka Dereta Wardrobe, Prop & Calligraphy: Wendy Hurst Photography: Wendy Hurst Portrait Sometimes when I don't know something, like what to call an image or series, I identify what it's not. Doing so lends inspiration and actually yields titles that resonate with me most often. For this reason a quote from Jane Eyre by Charlotte Bronte recently stuck in my mind. "I am no bird; no net ensnares me." I also remembered a behind the scenes YouTube video by fashion photographer Joan Allen that I found by accident years ago of a shoot using calligraphy on the skin to add a dimension of edgy elegance. Combine that with a kick I've been on about oversized objects and I knew what I wanted to do. Months ago I draped my dress form, Maggie, with yards of purple cloth I picked up secondhand for a different photo shoot. The shoot turned out okay but didn't fully captured the potential I saw in that &quo

WENDY HURST PORTRAIT

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