A few weeks ago I photographed beautiful people in natural bodies of water after a storm. Last weekend I traveled to a desert in a desert called Little Sahara. Both places are in Utah, and most people here don't realize the potential for serenity those places provide.
Photographer Chase Jarvis frequently mentions a concept called the "Creative Gap," referring to the space between what an artist imagines to create and the actual result. The only way to close that gap is to know where you want to go and practice the skills necessary to get you closer to your expected outcome. My recent time spent in natural bodies of water and the extreme opposite in an isolated desert have played a huge part in closing a creative gap of my own, and brought me more peace in the process.
Here's a look at one of those water sessions, featuring Mekall Ryan. Her blush colored dress is from H&M and the roses came from my own garden.
Mekall Ryan
model & makeup
Pond of Roses | Mekall Ryan | Wendy Hurst Portrait
Pond of Roses | Mekall Ryan | Wendy Hurst Portrait
Pond of Roses | Mekall Ryan | Wendy Hurst Portrait
Pond of Roses | Mekall Ryan | Wendy Hurst Portrait
Pond of Roses | Mekall Ryan | Wendy Hurst Portrait
Pond of Roses | Mekall Ryan | Wendy Hurst Portrait
Pond of Roses | Mekall Ryan | Wendy Hurst Portrait
Most people aren't used to creating an image based on a theme they learned on the spot, so I started there. Three photographers with different experience, ideas and creative perceptions came together and out of their comfort zones to demonstrate one simple truth: there is more than one "right" answer to a creative question. For some that answer isn't as simple as it seems. Anyone who has ever had writer's block or the artistic equivalent knows what I mean. As one studies the works of others it can be easy to fall into the "right way" trap. An inability to exactly reproduce an image like someone else, or the concern that an idea has "already been done" can feel crippling. And to that I emphatically repeat: there is more than one "right answer" to a creative question. Here's how the exercise worked: The Challenge: Create at least one image interpreting a single theme with only one hour to prepare and one hour t...
2025 - Mona, Utah | Bringing a photo studio to the Utah Renaissance Festival felt a little like smuggling a spaceship into the Middle Ages. My backdrop went up between fairy wings and falconers, and my lights hummed next to a booth selling turkey legs the size of a toddler. No one seemed confused. The studio worked like a magnet. People in velvet gowns, plastic armor, and fairy wings wandered over, curious why a fashion shoot was happening in the middle of jousts and kettle corn. One by one, they stepped in. It was fast, chaotic, and a little theatrical — corsets and capes catching the light like it was a red-carpet event, except the carpet was hay and the soundtrack was bagpipes. Some came for dramatic portraits. Others just wanted to see what fairy wings looked like under studio lighting (spoiler: excellent). Everyone left with the same surprise: they looked like they’d been photographed for a magazine, even if their prop of choice was a foam sword. It's fun drag...
Have you ever been stuck trying think of an idea, and then all of a sudden a tiny, fragile glimpse of something appears? In those moments I just want to grab it and hold on so it can't get away, but if you don't let it breathe, that poor little idea gets squished. I wanted this photo shoot with Kollene Snow to illustrate that idea. Like a lonely flower that blooms, sometimes unexpected ideas lead the way to the next one. Model: Kollene Snow Makeup: Kollene Snow Photography: Wendy Hurst Portrait
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