Once in awhile I like to take shelter from uncontrollable factors outdoors and pay more attention to the creative process. The last three months have been creatively frustrating for me, like writer's bock. But instead of lack of inspiration, it was doubt of ability. Sure I could take adequate pictures, but that wasn't good enough for me anymore. Where I wanted to go and where I was going were two different destinations and I was frustrated.
Frustrating as it was, irritating as it felt, the last time I felt this creatively perplexed was in September 2014 when I accidentally discovered a photographer named Brooke Shaden--a breakthrough that completely changed my artistic life forever. Trusting a breakthrough was on the horizon, I pushed theory aside and used my eyes instead of logic.
And guys...it worked. The moment I took this photograph (left) felt like a giant wave lifted me up and I could see beyond the horizon for the first time--and the weather out there is BEAUTIFUL.
Orem, Utah | Visiting the Colonial Heritage Festival is my favorite way to celebrate the Fourth of July. The festival is entirely run by volunteers -- which means when you meet somebody who's part of the festival, you know they want to be there. What they do is not easy. Some of them are on their feet in colonial-style shoes for hours at a time. Some wear full colonial garb like coats, petticoats, stockings, the works. July in Utah is sweltering hot. This year, we're even in the middle of a heat wave. And yet, there they all were with smiles on their faces and willing to let me take their picture. I have a lot of photographs from this festival at this point. Many of them are similar (still awesome, but similar). So this year I wanted to do something different: my portable studio on site. Bringing a portable flash is on location one thing. Bringing a backdrop that has to traverse a full size public park in the sun and wind is entirely another. The Portable Studio Off-Camera Fl...
Have you ever been stuck trying think of an idea, and then all of a sudden a tiny, fragile glimpse of something appears? In those moments I just want to grab it and hold on so it can't get away, but if you don't let it breathe, that poor little idea gets squished. I wanted this photo shoot with Kollene Snow to illustrate that idea. Like a lonely flower that blooms, sometimes unexpected ideas lead the way to the next one. Model: Kollene Snow Makeup: Kollene Snow Photography: Wendy Hurst Portrait
“Photography?” reenactor George Washington exclaimed. “What’s that??” After five minutes of me stumbling through some sort of explanation about lighting in a box later, a portrait emerged. The Colonial Heritage Festival in Utah is my favorite annual Fourth of July tradition for all the reasons. The reenactors are exceptionally knowledgeable about the lives they portray and the fashion they’re wearing. Blue coats, red coats, petticoats, brass buttons, leather boots, wigs, and tricorn hats flounce everywhere. I met a John Adams and Betsy Ross—whom sewed her own gown, especially those complex, curving pleats! You can learn more about colonial history and this group who hosts this annual event at festival.colonialheritage.org/ You can find the whole gallery at wendyhurstportrait.com .
Comments
Post a Comment