WENDY HURST PORTRAIT

2025 - Mona, Utah  |   Bringing a photo studio to the Utah Renaissance Festival felt a little like smuggling a spaceship into the Middle Ages. My backdrop went up between fairy wings and falconers, and my lights hummed next to a booth selling turkey legs the size of a toddler. No one seemed confused. The studio worked like a magnet. People in velvet gowns, plastic armor, and fairy wings wandered over, curious why a fashion shoot was happening in the middle of jousts and kettle corn. One by one, they stepped in. It was fast, chaotic, and a little theatrical — corsets and capes catching the light like it was a red-carpet event, except the carpet was hay and the soundtrack was bagpipes. Some came for dramatic portraits. Others just wanted to see what fairy wings looked like under studio lighting (spoiler: excellent). Everyone left with the same surprise: they looked like they’d been photographed for a magazine, even if their prop of choice was a foam sword. It's fun drag...

Orem, Utah | Portraits from the Colonial Heritage Festival 2025. It’s not cosplay. It’s commitment. I brought my portrait studio to a place where no one owns a phone—but somehow they all know how to churn butter. Or at least, where the demonstration tent is located. No one broke character. Not even when I Vogue’d them. I didn’t mean to make it look like a 1776 fashion editorial.  Well, just a little. I tracked them down from camp to camp and asked for a photograph in the shade.  One reenactor offered me their “smoldering ye olde stare.” Another adjusted their bonnet like they were being interviewed for the cover of “Wool Weekly.” (I’d read it.) Their colonial confidence gave me colonial confidence. And don’t we all need more of that in our lives?  Dressed as Colonial British officer's wife. The Studio My “studio” is portable, in a wagon—yep—with a backdrop stand held up by a bag of cornmeal. (JK, it's just playground-grade sand.) I carried around one light that many calle...

Orem, Utah | Visiting the Colonial Heritage Festival is my favorite way to celebrate the Fourth of July. The festival is entirely run by volunteers -- which means when you meet somebody who's part of the festival, you know they want to be there. What they do is not easy. Some of them are on their feet in colonial-style shoes for hours at a time. Some wear full colonial garb like coats, petticoats, stockings, the works. July in Utah is sweltering hot. This year, we're even in the middle of a heat wave. And yet, there they all were with smiles on their faces and willing to let me take their picture. I have a lot of photographs from this festival at this point. Many of them are similar (still awesome, but similar). So this year I wanted to do something different: my portable studio on site. Bringing a portable flash is on location one thing. Bringing a backdrop that has to traverse a full size public park in the sun and wind is entirely another.  The Portable Studio Off-Camera Fl...

Salt Lake City, Utah |  FanX is a space of raw reality. Cosplayers emerge from their everyday self to an elevated version of self--or, someone/something else entirely. Artists become shapeshifters, inhabiting a character through what they're wearing, or what they hold, or what they say. Craftspeople from all walks of life swarm the halls with colorful excitement. It doesn't matter who you are, or where you came from, or where you're going. FanX is for everyone, like a moving, shifting, swirling, ever-changing exhibit of living art. I just bring my camera. :)  All the portraits I captured during the event can be found at my website, wendyhurstportrait.com .